Culture Fair | Yesterday, Today & Tomorrow

Multiple layer stamp collages, 7 min process video, found audio from a 1952 postal service documentary

Bringing together almost two years of research revolving around Kuwait’s postage stamps, Culture Fair focuses on the nation’s use of imagery and events during the Golden Era (circa 1940-1980) in particular. In the process of collecting Kuwaiti postage stamps, the visually subdued and discreet nature of the propaganda exhibited are analyzed. As it was once widely circulated, the postage stamp does not usually have an obvious message which enhances its peculiar effectiveness. The stamp itself was ideal propaganda. It went from hand to hand and town to town; it reached the farthest corners and provinces of a country and even the farthest countries of the world. It was and may still be a symbol of the nation from which the stamp is mailed, a vivid expression of that country’s culture, civilization and of its ideas and ideals.

In Yesterday, the narratives of old stamps are reconfigured by dissecting and reassembling the layers, destroying the national artifact and image with my own narrative.  They are displayed as museum or cultural relics usually found in world fairs. The magnifying domes expand the seamless collages to emphasize on the continuity of history.  In Palace of Justice, a dinosaur holding a large sword roams the green fields of the judicial building. Its presence suggests somewhat of a pre-historic nature in the system. A Kuwaiti man stands in the forefront with white paint on his raised hands, as though to claim his innocence. 

The six scenarios are in and of themselves collages inspired from the visual language of the original Kuwaiti stamps. Through the process of offset plate printing, they are presented in the same four colour printing format used to manufacture stamps. Alongside the artwork is a projected video of the artist's thought process. In it she digitally records the slicing and reconfiguration of the stamps to involve the viewer in her decision making. The original stamps are presented, prior to their destruction, as evidence of their existence.